Lying Eyes
review by Sywriter:
{click on pictures
for larger size}
LYING EYES is a 1996 TV stalker movie
about a high school cheerleader and a silky-smooth creep. The
cheerleader is well played by Cassidy Rae, and our Vincent
Irizarry does a stunningly wicked turn as the creep. The film’s
fast-paced, spooky, and deliciously evil.
We begin with a sexy cheerleading routine
at a California high school, seductive camera angles showing us
lots of skin. Slick attorney Derek Bradshaw is in the
stands viewing all that delectable flesh, and he zeroes in on
Amy Miller, the quintessential sun-kissed blond beauty. Derek’s
a babe himself, with that luscious ebony hair and those piercing
dark eyes. He’s also way too old for Amy at 33, but that doesn’t
stop the scheming lawyer. He conveniently bumps Amy’s car at a
light and suavely lets her know he’s wealthy, it was his
fault, and she should take the car to his garage for repair.
When Amy picks up her auto, she finds that not only has Derek
replaced her radio with a CD player, but this hunk of charm
wants a dinner date with her.
Now,
Amy’s a smart girl. But she’s only just 18 and no match for
Derek. She has a loving but busy single mother who’s never
around to talk. Her best friend Dana is wary but in awe of her
conquest. Amy’s prime for someone with all the smooth moves of
a cheetah and twice as fast. Dana’s coed sister, Jenn, tries
to warn Amy off, but Amy tells her if two people click
intellectually and they turn each other on, too, welllll… The
next thing you know, Derek’s showering Amy with
attention at dinner. When they say good night, Derek’s intense
gaze pins Amy like a mounted butterfly on velvet. His finger
skates across her cheek before he kisses her lightly on the
mouth. Tenderly, his finger skims her lips. Derek says he wants
to show her stars though the telescope at his beach house for
their next date. Amy’s a goner.
The
plot swings into gear at the beach house. Derek has a present
for Amy, an, um, sexy teddy. When Amy shyly models the flimsy
bit of fabric, Derek gives her the perfect kiss, tenderly
telling her "We don’t have to do anything you don’t
want to. I could just hold you, that’s all." Derek’s a
master of the sweet caress, the compelling gaze, the
breathe-in-your-essence kiss. As he and Amy make love, a spooky
camera shot indicates an anonymous someone watching them smooch
through the window.
LYING EYES whizzes by, a fun blend of
predictable and unpredictable. Predictable is Amy and Derek’s
romance. It slowly dawns on the love-struck teen that Derek’s
never free weekends. That he takes her only to out-of-the-way
places. That his gifts are too lavish. She takes a jaunt to
Derek’s house where she
sees his two darling children and his lovely wife. Amy confronts
Derek, but he talks her into continuing the affair with sweet
lies about needing time to break it to his spouse. There’s
little insight into Derek. The most VI gets to do as far as
sinking his teeth into character comes at a bar where he tells a
friend "Everything we do is for women. The clothes we wear,
the car we buy. No better aphrodisiac than wrapping a beautiful
woman around your little finger." Derek’s predator eyes
gleam as he watches Amy enter the bar in the slinky dress he
bought her. A possessive smile quirks his lip. Think David
pre-basement, but not as deep, dark, or conflicted.
What’s
unpredictable about LYING EYES are the stalking and harassment
scenes. Someone watches Derek and Amy hit the sheets through a
country-inn window. Amy’s clothes are slashed in her high
school locker. Amy starts to
suspect Derek’s wife after Dana says a lady was asking about
her before cheerleader practice. Dana’s sister Jenn is
supportive, counseling Amy not to go to the cops or it’ll get
all over the tabloids. But the stalking continues: in a deserted
house, the high school locker-room sauna, even after a fed-up
Amy tells Derek it’s all over.
The
plot darkens when Derek won’t take no for an answer, and the
stalker won’t stop either. They’re both after her now, Derek
popping up all over the place, the stalker writing a scary
lipstick message on the locker-room mirror, pushing Amy in front
of a truck in a parking lot. One-note spooky piano music becomes
a familiar theme song, and Amy’s slowly going nuts. It’s not
until Amy tells Derek off in a restaurant and the stalker almost
pushes her car through a cliffside guard rail that Amy finally
blurts everything out to Mom. Before she does, we see that the
stalker is none other than Jenn, driving Derek’s wife’s
stolen Jaguar. We also see Jenn sneak into Amy’s room, model
the teddy gift, spritz on Amy’s perfume, and make a hang-up
call on Derek’s long-suffering wife Elizabeth. We get a hint
of motive when Jenn tells Amy that she knew someone like Amy
once upon a time, used and abused by a lying married man, a man
like Derek …
Events
hit light speed after Mom finds out. The mother/daughter duo
take on the cops and Derek in short order. A disgusted Elizabeth
begins divorce proceedings after police questioning. But it’s
the plucky Amy who turns the tables on Derek when she
seductively tries to set up the predator at his own beach house
and ferret out the name of her stalker. VI is chilling as he
plays a snake with no depth and less heart, intent on only one
thing. Not until Amy runs out and drives home does she meet her
nemesis Jenn in a car ride from hell.
The very best part of LYING EYES is its
ending, some months later. Not the high school graduation and a
proud mother taking pictures of Amy, once again a well-adjusted
teenager. The best part shows a slightly scruffy Derek climb the
bleachers to watch high school cheerleaders go through their
practice. He whips off his sunglasses and smiles a closed-mouth
smile at the pretty sight in front of his lying eyes. The look
in those eyes is that of a connoisseur, his appetite just
whetted.
Index
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This site is
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Use of video captures by permission only.
Many
thanks to:
ABC Television
NBC Television
CBS Television
Soap Opera Digest
Soap Opera Weekly
ABC Soaps in Depth
Soap Opera Update
for carrying
stories and pictures of Vincent Irizarry
in the many roles he has played throughout the years.
Most importantly, I would like to thank Vincent Irizarry
for giving us hours of entertainment.
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